Kadri Gopalnath was once a young boy, captivated and enthralled by the euphonious tunes emanating from a shiny saxaphone as he watched a musician in the Mysore Palace Band. He has, since then, come a long - long way to master the very same instrument, adapting it in ways that were previously unheared of taking Carnatic Music to epic heights. Born on 6 th December, 1948 in a humble family in Panemangalore, Karnataka, Gopalnath found himself exposed to music at a fairly early age being the son of Smt. Gangamma and Sri. Thaniyappaya who was a Nadhaswaram Vidwan himself. Under the tutelage and guidance of gurus like Gopalkrishna Iyer, T.

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Gopalkrishnan and Sir Balakrishna Pillai; Gopalnath journeyed the path from learning the basics, to understanding composers of Carnetic music and Kritis and raagas, to eventually creating music of his own. It wasn't till early 1980 that Gopalnath realized the true potential of his talent.He performed in the Jazz Festival in Mumbai with John Handy, a popular Jazz Musician from California, USA. Gopalnath then pursued the fusion of Jazz and Carnatic music much to his audience's delight across Jazz Festivals in Prague, Berlin, Music Halle Festival in Paris, BBC Promenade Concert in London, International Cervantino Festival in Mexico, International Saxophone Festival 'Saxophonia' in Latvia, Tour with Evan Parker in the UK, Swajanam the Kinsmen tour with Rudresh Mahantappa in the US and the trend caught-on and he has, since then, toured the world, giving audiences an unforgettable taste of his unique blend.

SUCCESS PATH:- Being among the topmost classical and fusion artists in the country, he can be ranked along with Pandit Ravi Shankar in popularizing the Indian Music in other parts of the world. He is ranked as 'A TOP' grade artist by All India Radio (AIR).

Gopalnath has had several widely successfully dabbled in regional film music as well, one of which was with tamil flim director K. Balachander, in his flim 'Duet' which had A. Rahman as its Music Director. HUMANITARIAN:- During the time of the Kargil War, moved by the sacrifices made by the Indian Soldiers, he took on the initiative of organizing a concert in Chennai where over 400 artists performed to raise a total of Rs.6.25 lakhs to aide the bereaving families. The funds were donated to the then Chief Minister of Tamil Nadu, Sri. Karunanidhi to be deposited in the Kargil fund. Over the 65 years that Gopalnath has flourished as an artist and evolved into an unquestionable maestro; his work, his talent, and his globel accomplishments have most certainly not gone unnoticed.

Several titles, honors, and awards have been bestowed upon him; such as the Asthana Vidwan of Sri Kanchi Kamakoti Peetam and the Shringeri Sharada Peetam, the Kendriya Sangeeth Natak Academy Award, 'Kalaimamani' from Tamilnadu Government, Karnataka State 'Raiyotsava Award', Chowdiah Memorial Award, Purandara Award, Puttaraju Gawali Award, 'Doctorate' from the University of Bangalore and to top it all, the 'Padma Shri' from the former president of India Sri. Abdul Kalam in the year 2004. Despite his remarkable journey, Gopalnath is unaffected by this success. Daz 3d Hexagon Serial Number. Ex4 To Mq4 Decompiler Software Applications. He still spends 2 hours a day in the week hours of the morning, fastidiously practicing his art. Not for a moment, taking it for granted.

With his Saxophone is where he finds himself most at peace with the exception of his home, amongst his musical family, children and grand children. Kadri Gopalnath has, beyond doubt, proven his mettle as a musician, composer, collaborator, teacher, innovator, humanitarian, family man and artist, and yet, it would appear that he is still running on full steam and has an even more spectacular journey ahead of him.

It took Kadri Gopalnath (born: Kalaimamani Kadri Gopalnath) nearly twenty years to adapt the saxophone to the intricacies of Indian classical music, but, his acclaim has continued to grow. In a review of a concert by Gopalnath, The London Times wrote, '(Gopalnath's) soft, legato, flurries meshed perfectly in an unusual grouping of violin, Jew's harp and mridangam drum'. The Illustrated Weekly Of India took a similar view, claiming '(Gopalnath's) music would make a stone melt'. Born into a musical family, Gopalnath initially followed his father's footsteps and played the nadhaswaram, an Indian instrument similar to the clarinet. He also studied vocal music for five years in Mangalore. A turning point in Gopalnath's musical development came when he attended a concert by a brass band at a place in Mysore. Fascinated by the group's saxophone player, he swore to learn the instrument.